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TOCA TEACHER · Lesson 32 · Teaching

Choreography is not a list of moves

Choreography is not a list of moves, it is the art of arranging movement in time and space so that it means something to a watcher. A social dancer improvises a conversation in the moment. A choreographer composes one in advance, shapes it, edits it, and hands it to bodies.

Dawou Tarraxo, pioneer of Tarraxo. Choreography is not a list of moves

Build each phrase around a single idea and give it a shape. A beginning that sets it up, a middle that develops it, an ending that resolves or launches the next. Repetition makes it readable, variation keeps it alive, and pauses are as deliberate as the motion.

The link between two phrases is where amateur choreography falls apart and where the professional shows their hand. Choreograph the transitions as carefully as the phrases.

Then cut what does not serve the idea, however clever it was to invent.

Building a dance phrase is a craft of its own, next to social dancing.

Choreography is not a list of moves, step by step

  1. A SEQUENCE IS NOT A PIECE.
  2. Choreography arranges movement so that it means something to a watcher.
  3. A social dancer improvises a conversation. A choreographer composes one.
  4. Build the phrase around a single idea. A beginning, a development, an ending.
  5. Repetition makes it readable. Variation keeps it alive.
  6. Pauses are as deliberate as the motion. A phrase that never rests blurs its own accents.
  7. The link between two phrases is where amateur work falls apart.
Does your piece say one thing, or many half things?

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This lesson comes from the book

Page 277 of The teacher's guide by Dawou Tarraxo, the TOCA Method page this lesson comes from
The teacher's guide · page 277

The student’s book takes dancers from the first foundations to real feeling. The teacher’s guide gives instructors the structure to pass it on. Both in English, French and Spanish, on Amazon and Apple Books.

The student’s book The teacher’s guide

The method

T O C A

Two bodies. One connection.

TTouchThe connection with your partner. Feeling through contact, never through force.
OObservationListening to your partner’s body, energy and tempo.
CControlMastery of your own movement. Precision without tension.
AAwarenessFull presence: with yourself, your partner and the music.